Tuesday, June 16, 2009

Project 3- site


Project 3

Facade
The gallery is as height as surrounding buildings that is 6 m. The facade face the king street depicts a V shape leading and attract people from wide world to a small world that is described by artists. The world outside is realistic, while inside the gallery is itineraries which different viewers create their own world. The façade face the park has been built to a courtyard provides beautiful view out to the landscape. Courtyard is also part of the gallery represent the nature should be parts of the building and both these parts should be confluent.















Apartment
The apartment is located separately at the back of the gallery, while a wall with glass used to connect the apartment and the gallery which provide a direct view from apartment to the gallery. The back of the site is quite and the courtyard informs natural sense outdoor, fresh air and natural light. People are the major assert and expense of the gallery, they prefer to work and live in daylight and choose to locate close to a window.















Wall
Because the gallery is in teeth building, thus windows are hardly applied to those facades adhere to neighbors. Therefore few curing walls are constructed to increase the interface of natural light and quantity of window. Moreover, the view from window is our contact with the world outside, it provides information. A view satisfies the physiological need for the adaptation and readaption of the eye to distance, providing a visual rest centre. For this reason, any view is better than no view. Furthermore, these curving walls create small courtyards.



Daylight control screen are also applied: The way in which artificial lighting could enhance and dramatize a display in the courtyard in spite of the very high level of day lighting. Moreover, the way in which the design of the exhibition fabric and lighting could help to overcome the problem of a visitor’s adaptation to the different lighting level on entering the casemates.
















The exhibition space is frequently viewed as support that should highlight the artist’s work.
“In an art gallery, one walk around a painting and turn to look at it again because one wants to re-examine it, this time more carefully, after seeing in the next room a small exquisite painting. So the visitor wonder about, making comparison because as we all know from experience, differences between things become visible through close comparison. And this is what we do in museum.”
The circulation of the gallery is designed to distinguish the flow of visitors that are interested in the most famous work from those who want to see everything, thus no rooms in the gallery must be passed. Visitors can decide the way they want to travel. Moreover, there is a attempt to simplify the flow of persons, minimizing the interference between who are observing the works and who are walking past.





The living space with kitchen facilities is sit next to the apartment. Visitors could choose their way to exhibition space or the living space at the back entrance.

The stockroom is sit at the other corner facing the living space which is quite and private.







Visitors could observe works on both ground level and upper level and decided their itineraries. In addition, the people on the exhibition spaces could be regard as dynamic aesthetic works.



Light & window

It light that become matter
When it finished being light
All matter is light
Light is source of all being

The hormonorium establishes a synthesis of the organic the state of mind and space, and also a continuum between architecture and the human metabolism, between spaces, light.
Artificial lights are introduced locally to enhance the paintings. Vision is enhanced by good contrast and that the natural colour of daylight increase daylight.






SKylight


The general brief for the daylight is to provide a flexible and easily controlled system suitable for all of the top lit light galleries. There was a desire to allow as much daylight into the building consistent with the need of conservation, so that the natural variation of daylight could be enjoyed.












Model:















Drawings:



































Project 3 Artists

Artists:

  • Cy Twombly


who is well known for his large-scale, freely scribbled, calligraphic-style graffiti paintings, on solid fields of mostly gray, tan, or off-white colors.








  • MC Escher


His beain-teasing prints use interlocking shapes transforming creatures, and impossible architecture to challenge the viewer’s perceptions of reality. Explore perspective mirror image and physical space. MC Escher has been observation the world around us and the expression of his own fantasies. “I am essentially a painter of the kind of still life composition that communicates a sense of tranquillity and privacy, moods which I have always valued above all else.”






People viewing these kinds of art works get different sensations though different apprehend, experiments and needs. It is a visual way in communicating the relationship between each component of the conceptual framework, the artist, artwork, audience and the world. This gallery create manifold interior space to create varies sensations and movements.